Kevin Mahogany Quartet

Kevin Mahogany Quartet

Mary Louise Knutson

Tue · August 8, 2017

7:00 pm

$20.00 - $50.00

Kevin Mahogany
Kevin Mahogany
The standout jazz vocalist of his generation. -Newsweek

With over ten recordings as a leader, vocalist, businessman and educator Kevin Mahogany has been the standard setter for jazz vocalists for three decades.

In addition, Kevin Mahogany has also been an in-demand sideman and guest artist with a select cadre of jazz stars. He’s recorded with T.S. Monk (Monk on Monk), The Ray Brown Trio (Christmas Songs With Ray Brown), Marlena Shaw (Dangerous), Roseanna Vitro (Passion Dance), Carl Allen (Testimonial), Barbara Morrison (Visit Me) and Elvin Jones (It Don’t Mean A Thing).

His broad baritone was forged in his hometown: the legendary jazz metropolis known as Kansas City; where he learned to swing like Charlie Parker, shout the blues like Big Joe Turner, and cry a ballad like Lester Young; while, extending, elaborating and refining the jazz vocal legacies of Lambert, Hendricks & Ross, Eddie Jefferson and Al Jarreau into the myriad, interwoven dimensions of music – from gutbucket, the Great American Songbook, and gospel, to Mingus to Motown.

Mahogany played the piano, clarinet and baritone saxophone before he started singing in high school. He played saxophone on his first professional gig with Eddie Baker’s New Breed Orchestra. Mahogany studied with local jazz legend Ahmad Aladeen at the Charlie Parker Academy, and matriculated at Baker University in Baldwin, Kansas, where he formed a jazz vocal choir and earned a BFA in Music, English and Drama in 1981. He returned home and joined a nine-piece horn band called Robinson-Pike. He later formed two R&B-centric bands; The Apollos and Mahogany. In1991, he toured with the NRE Trio, and was featured on pianist Frank Mantooth’s 1993 CD, Dangerous Precedent.

That same year, Mahogany released his debut recording, Double Rainbow, was released on the Enja label in 1993. Specializing in performing and seldom-heard songs, the stylistic range of Mahogany’s recordings range from the kinetic big band bravura of Pussy Cat Dues: The Music of Charles Mingus; which featured Mingus sidemen trombonist Jimmy Knepper, alto saxophonist Charles MacPherson with the WDR Big Band, to Pride and Joy, his ebullient Motown tribute featuring the music of Stevie Wonder, Marvin Gaye, The Temptations, Gladys Knight and the Pips, Michael Jackson and Smokey Robinson and the Miracles.
Mary Louise Knutson
Minneapolis-based jazz pianist and composer, Mary Louise Knutson has been called "one of the most exciting and innovative artists to happen to jazz piano in quite some time." Her warm, inviting tone, broad range of emotional expression, and distinctive compositions have brought her much recognition on the national music scene.

Knutson’s long-awaited new trio CD, In the Bubble, charted in JazzWeek's Top 10 and remained in the Top 50 for 19 weeks straight. Six standards and four originals - ranging from a swinging Oscar Peterson Trio-style "It Could Happen to You" to a McCoy-ish "Can You Hear Me Now?", and from an ECM style "Sea of Qi" to a gospel style "You Are My Sunshine," - complete this highly accessible mainstream-to-modern collection. Twin Cities rhythm icons, bassist Gordon Johnson and drummer Phil Hey, are Knutson’s bandmates for half the album. Drummer Greg Schutte performs with Knutson and Johnson on the remaining tunes, except for one featuring drummer Craig Hara.

Knutson tours regularly with former Tonight Show bandleader trumpeter Doc Severinsen and his big band (featuring two-time Grammy Award winner tenor saxophonist Ernie Watts), has toured the U.S. with her own group, the Mary Louise Knutson Trio, and Italy with vocalist Debbie Duncan. Mary Louise has performed with such jazz greats as Dizzy Gillespie, Bobby McFerrin, Dianne Reeves, Kevin Mahogany, Randy Brecker, Bobby Shew, Nicholas Payton, Terell Stafford, Richie Cole, Greg Abate, Von Freeman, Slide Hampton, Mike Stern, Peter Erskine, Billy Hart, Ed Shaughnessy, and Richard Davis. As a show player, she has performed with such artists as Reba McEntire, Michael Bolton, Jordin Sparks, Trisha Yearwood, Sam Moore, Donny Osmond, Smoky Robinson, the Osmond Brothers, and comedians Phyllis Diller, Jack Carter, Rob Schneider, Kevin Nealan, Judy Tenuta, and more.

In 2006 Knutson was a Minnesota Music Awards nominee for both Jazz Artist of the Year and Pianist of the Year, and in 2005, she was a Finalist in the Kennedy Center’s Mary Lou Williams "Women in Jazz" International Pianist Competition. In 2004, Knutson was the recipient of Lawrence University's distinguished Nathan M. Pusey Alumni Achievement Award for significant contributions and achievements in a career field, and in 2001, Knutson's debut jazz trio CD, Call Me When You Get There, charted in JazzWeek's Top 50 for eight consecutive weeks, and earned Knutson the award for Top New Jazz Instrumentalist of the Year from KWJL Radio in California. Featured tracks include her award-winning compositions and signature arrangements of such jazz classics as "Tangerine", "Green Dolphin Street (mp3)", and "Gone With the Wind" and range from the joyful lyricism of "Call Me When You Get There" to the impassioned blaze of "Meridian".

An acclaimed composer, Knutson has won numerous awards, including two from Billboard magazine for her compositions "How Will I Know? (mp3)" and "Meridian (mp3)". "How Will I Know?" was also recorded by Prince's horn section, the Hornheads, for their 5 Heads Are Better Than 1 release on Bone 2 B Wild Music. The art documentary, Wellington Lee: 60 Years of Artistic Photography, which is underscored by Knutson’s composition, "Call Me When You Get There (mp3)", has been shown at major art museums across the country.

Formerly an instructor in jazz piano and improvisation at Carleton College, Knutson teaches privately and conducts a variety of masterclasses, including Intro to Composition, Freedom From the Written Page: Beginning Improv for Pianists, Jazz Piano in the Big Band: Voicings, Rhythms, and Scales, The Press Kit, and History of Jazz Overview: A Timeline of Styles & Recordings. Her newest masterclass, Making Sense of Jazz, for non-musicians and/or budding enthusiasts, explores improvisation, typical song forms, and how jazz musicians communicate on stage.

Knutson can be heard regularly with her group, the Mary Louise Knutson Trio, or as a soloist, at clubs, festivals, and concert halls here and abroad; with area vocalists Connie Evingson and Debbie Duncan; and with a variety of instrumental groups including the JazzMN Orchestra and the Minnesota Orchestra.
Venue Information:
The Dunsmore Room at Crooners
6161 Hwy 65 NE
Minneapolis, MN, 55432